6 MONTH FOLLOW UP of GENDER DISPARITY DATA REPORT on IRISH RADIO
>>> Diversity on the rise in the music scene as we go from just 1 artist of colour to 11 featured in Airplay charts across Irish Radio in the last 6 months.
>>> National & Dublin Radio Stations lead the changes in gender parity as Regional Radio Stations lag behind…Please find a viewable link to the report: https://bit.ly/2KAR1qs
STATEMENTS: reactions attached from Game-changing Women in Music, Activism and Gender studies in Ireland on the report and its finds for use in all press circulation or for quotes in articles CAN BE FOUND HERE: https://we.tl/t-cSIM0w7CBz
Please use the hashtag #GenderDisparityRadioIre @whynotherire
The latest report findings outline the Gender Disparity that is still present on the Top 20 most played songs by Irish artists on each individual radio station in Ireland over the period of June 24th 2020 to Dec 24th 2020. It also shows the Top 5 most played songs on each station and the Artists and Songs in that Top 5 within the six month period of the report. The same homogenised male list that we viewed in the last report: Picture This, Gavin James, Dermot Kennedy, Wild Youth, Niall Horan and a new addition to the male echelons of the Irish scene Robert Grace dominate the Top 5 Chart positions on Radio. With only Denise Chaila & Wyvern Lingo appearing once in the Top 5 most played tracks across Irish Radio on Rte2fm. An all-female supergroup of 38 womxn: Irish Women In Harmony appear multiple times but still remain outnumbered by mostly solo-male acts.
The findings are a staggering and shocking display of an industry model that still needs drastic changes, especially in Regional Radio. Variety and Diversity exists. Let us all work to embrace that.
We would like to applaud those in National Radio and some individual stations who have made considerable strides towards a game-changing moment in Irish music history, some stations went from 0% to 20% and more. Thank you for being part of the solution: RTE 2FM, SPIN 103.8, SPIN SOUTHWEST, BEAT FM & 98FM. And for the first time in 5 years, Fm104 have increased by 10% on the inclusion of womxn on their Top 20 Airplay charts spanning the last 6 months, a small but certainly significant change towards parity.
Notes: This is not an opinion-based report. It is based on data compiled by Radio monitor. This Report is based on ‘Irish only artists’ and those whose songs are registered on Radiomonitor. Radiomonitor is the industry standard music airplay monitoring service used by all Record labels, Management companies and PR companies to evaluate the airtime allocated to artists/bands who have commercial releases in the Irish market and whose music is issued to Irish radio seeking radio airplay. You can find out more about Radiomonitor at www.radiomonitor.com
We at Why Not Her? ask what can be done to implement changes across Irish Radio that creates an equal opportunity playing ground for both male and female-identifying Irish acts? YOU can be part of the solution. Never be afraid to ask the question…WHY NOT HER?
“An analysis of the Top 20 Most Played British Acts across British Radio Stations in the Period of June 2019-2020 and the Top 100 Radio Airplay chart in 2020”
**NEW REPORT SHOWS WOMEN ARE UNDERREPRESENTED IN UK RADIO**
· 81% of songs in the Top 100 Radio Airplay chart feature men
· Female songwriters are credited on only 19% of songs in the Top 100
· Only 3% of music producers in the Top 100 are womenPlease find below links to the official
This ‘Gender Disparity Data Report’ looks at the gender disparity in UK Radio for British Domestic acts over 2 sections. The first section is an analysis of 31 individual radio stations, looking at the gender disparity present in the Top 20 most played songs by British artists, in Britain, over the period of June 1st 2019 to June 1st 2020. In the 31 stations, we have included the Top 10 and most listened to national, regional & local radio stations including the major legacy radio stations and genre-specific stations.
The 2nd part of the report is an analysis on the overall Top 100 Radio Airplay songs in 2020, from 01 Jan 2020 to 15 August 2020, in all radio stations combined, looking at the gender disparity for Solo Female, Solo Male and Collaborations
This Report is based on British domestic only artists and those whose songs are registered on Radiomonitor. Radiomonitor is the industry standard music airplay monitoring service used by Record labels, Management companies and PR companies in the music industry to evaluate the airtime allocated to artists/bands who have commercial releases in the British market, and whose music is issued to British radio seeking radio airplay. All the radio data in this report is taken from Radiomonitor.
For the purpose of gender disparity reporting, all songs have been categorised as either Female, Male or Collab.
This report was compiled by music industry consultant & publicist Linda Coogan Byrne & Nadia Khan of Women In CTRL an NPO for women in music.
GENUINELY – from the bottom of our hearts, we want to thank all our supporters in the press – online and in print – who have ran articles on this very important Data Report, including podcasters who have had us on to speak as no radio station has invited us on yet (would you believe it?!).
You are part of the SOLUTION.
The reactions on the Gender Disparity Report were of shock and dismay from the general public, and then not so much from the women in music – they were used to being rejected. But it has given them an amplified platform of unity and the desire for change and they are speaking up for the first time; in unison.
Will they be heard?
So far, only 3 radio stations, out of all those listed on the Data Report got in touch and responded and said they will be mindfully aware and will chat among their teams at the stations and will ‘try do better’.
Here is the thing: It’s been over a decade since a commercial Pop act of the female origin broke in Ireland that lead on to even a semblance of commercial success and was adequately backed by Irish radio. Heck, let’s go one step further… The Cranberries were formed in 1989, the Corrs in 1990, Laura Izibor 2004 (Shine was her hit in 2009). Yes, it’s ‘COOL’ that Soule and Aimee are doing ‘good’ but its still nothing close to that of their male counterparts and the support they receive.
Why is there a massive timeline of a gap in Irish radio supporting its women in music? And how do we fix this gender gap?
I asked some of the men in music from Ireland what they thought about the report and we’d like to thank those who have been brave and supportive enough to make their statements public. We appreciate your solidarity: Follow this link to some images that can be used and shared by anyone who wishes to use them >>>> https://we.tl/t-vYZe5TVosG
What do we want and when do we want it?
We want to know why radio turned it’s back on our female creators of music, our passionate talented storytellers, our powerful banríon’s.
Thank you for your time and support in this movement.
SEE BELOW FOR THE RESPONSE STATEMENTS FROM MEN IN MUSIC FROM IRELANDS MUSIC SCENE UPON VIEWING THE REPORT. THEY STAND IN TOTAL SOLIDARITY WITH THE WOMEN WHO CREATE MUSIC IN IRELAND.
“The findings of this report present an opportunity for Irish radio stations to become a force for positive change in society. Radio has the unique position of controlling the measures of content which reach the ears of the public on a day-to-day basis. When this content is written and performed almost exclusively from the male perspective it perpetuates an industry which is already male-centric and it actively fuels the cycle of gender inequality in all aspects of the trade.
I’m slightly ashamed to admit that, as a 37 year-old man, I’ve had to really dig deep in the last couple of years to truly comprehend the privilege I’ve taken for granted; I did not see it in my 20s and early 30s because patriarchy and its psychological consequences are insidious and omnipresent and ignorance on such matters is rewarded. I’m still on that journey and I see this report as an invitation for one of our most important cultural institutions to do the same.
Mainstream Irish radio is a commercial enterprise but it needs to fully recognise its potential as a cultural establishment too; unfortunately that establishment is currently giving a voice to only half of the population and the societal ramifications of this, both conscious and unconscious, are monumental” – VILLAGERS, (CONOR O’BRIEN), Musician & Artist
“I’ve always been aware of how few Irish female artists there are on line ups, on stages and on radio and I’ve felt hugely uncomfortable many times realising I’m on an all Irish line up or playlist with not a single Irish woman on it, I’ve tried to call it out but it’s not enough.
The people in charge and all the lads benefitting from this need to talk about it and do more to change it, myself included.
This report highlights how unfair it is on the airwaves and its sad and It doesn’t make sense considering how many great female artists and musicians there are in this country” – Alfie, HUDSON TAYLOR, Musician & Artist
“There are so many really talented and exciting young acts in Ireland at the moment. We have had the opportunity to work with some very talented female acts over the past couple of years and fully support Irish women in music.” – Sean & Conor Price, Band
“The effect that gender exclusivity has on all of us cannot be underestimated.
My single mother raised me by herself on an income solely from music. She lost countless job opportunities to male counterparts of equal qualifications to herself. The stress this created is immeasurable. Misogyny strangles a woman’s ability to have a chance to make money, put food on the table, and in our case resulted in 3 months of homelessness during my childhood at age 5.
The radio stats prove that very little has changed and that is insane. There is no shortage of incredible female musicians/artists in Ireland who all deserve the same opportunities as men.
Change needs to be made right now” – Sam Killeen Guitarist // Composer // Producer // Mixing Engineer // Musical Director
“A lot of my friends and peers are within the Women in Harmony project and I just wanted to show my solidarity. I wanted to say that while the results were disappointing, I am also sadly unsurprised. I also want to add that this statement is not intended to diminish the incredible talent and successes of the Irish men shown there. Their accomplishments are completely just and deserved. I have the utmost respect and admiration for them. This data however, as you can surely agree, does a huge injustice to the diverse and worthy talent that Ireland has to offer.
Ireland has been the face of real change and progress worldwide for the last decade or so, and the music pouring from this country needs to be represented by more than the straight white male.
I fear that radio stations believe that they can only play what is requested, but I think that that mentality insults the intelligence and tastes of the Irish population. Music has to be more than a straight white male perspective. It is a shame to not see more than one woman, Black/POC or a single member of the LGBTQ+ community on that list. We owe it to those exact people unrepresented, that they can one day soon see and hear people like themselves in Irish media. If you were to ask Irish men and women what their Spotify/Apple etc streaming artists were, I don’t think it would reflect what those analytics showed. This country has a wide and eclectic taste in music that spans far beyond what is presented to us.
I am aware that this is all coming from a gay white male perspective who has been lucky to be played on the radio. But I also feel I have been given more opportunities than my female peers. I wish to send on my solidarity and support to the female artists of this country. We need to support our own and “our own” means everyone. We truly have the power to make tsunami level waves in the worldwide music industry. However, these waves need to be ones of diversity and inclusion” – Tim Chadwick, Musician & Artist
“The findings in this report are shocking but not surprising. It highlights an industry model that needs immediate reform. It is not acceptable that in 2020 this kind of inequality continues to exist on Irish radio. In fact, it is shameful. The Irish music scene is diverse and wonderfully creative. It is disgraceful that this is not reflected on air. Instead, a boring homogeny reigns supreme. We stand in solidarity with female musicians in their efforts to ensure equal representation on Irish radio.” – Jamie Coughlan, Overblown Magazine
“As an independent Irish record label, Rubyworks has long been aware of the challenges female artists face in the Irish music industry. The Gender Disparity Report provides a much-needed insight into one of those challenges. While radio is part of the challenge for female artists in Ireland, there is a wider context that also needs to be addressed, with a number of complex elements that dictate whether or not an artist will succeed. Rubyworks is committed to defining, understanding and overcoming these challenges to level the playing field for female artists in Ireland.” – Niall Muckian, Rubyworks (Rodrigo y Gabriela, Hozier, Hudson Taylor, David Keenan, Wyvern Lingo, Little Hours, Eve Belle, Ruby Sessions)
“Writing about gender equality in music from a male perspective is a strange feeling. Because in order to truly acknowledge the huge divide between men and women, as a man, I have to first admit that I didn’t notice it at all.
When I think back now, I wonder how that could have been. That’s what privilege is. I used to think that privilege was just some buzzword that people used in order to sound smarter, or to elevate a point. But I was ignorant then, and privilege is very real. Privilege is flipping through a music magazine at age 15, and not even noticing that there was no women in there. Privilege is thinking that its normal to place a band in a genre called ‘female fronted’ or to go on tour for 3 weeks. and to only ever play with one band with a woman in it, and then to sit there while guys have a discussion about whether women playing in bands is cool or not.
I allowed this to happen, and I stood by and did nothing. So before I can point the finger at the music industry, or at the radio, or at the whole system, I have to acknowledge that I too have contributed to this inequality. I have contributed to it, and I have benefited from it. Maybe this was unconscious, and it was conditioned by a system that’s setup in such a way that men are always on top. But nonetheless it happened, and it makes me sad that I spent a lot of my life not noticing that. I think the reason that Linda’s report hit so hard, is because when it’s presented to you in such stark analytical detail, it’s impossible to ignore. Its embarrassing for Ireland, and for all the amazing musicians both women and men.
The radio is dominated with male voices. The charts are dominated with male voices, and even when a woman’s voice is heard, often times it’s only a certain voice that the industry allows in order to shift units.
My Mam fought in the 90’s for equality in her sport. Women were not allowed to be full paying members in the club she played at. She fought hard for that, and lost a lot of friends over it, and had many arguments with men. But she fought her corner, because she believed that it was unjust. She set a great example for me to think about the world we live in, and how skewed everything is in favour of men. We have never had a woman be the leader of this country. That’s where the bar has been set for us by the generation above.
We have no choice, we have to change that right now. The gender disparity takes the magic away from the whole music scene. It’s uncomfortable to look at. But if it’s uncomfortable for me to look at for a few minutes, I can’t even imagine how uncomfortable it has been to live with that for your whole life. The problem with inequality, is that the person in a better position, can never truly empathise with the person in the worse position. So all I can really do is listen closely and promise to do better. All I can do is say today is that I stand with you, and that I am here to help in any way that I can. My inbox is open.”- NEALO, Artist, Singer, Rapper
“As a male musician, I’ve always known that there has been inequality ingrained in the Irish music scene. I work with a lot of female artists, and hearing their stories and experiences always upset me, because it often seemed like a different world to mine, which in reality it is. When I saw that there was a report on Gender Disparity in Irish Radio, I could have given an educated guess as to what it would contain, however upon hearing the sheer extremity of the numbers I was shocked. There’s very obviously an oversight here.
You can get into the weeds here and begin to explain it away with phrases like ‘Industry wide problem’, but the radio stations have a brilliant opportunity here to lead the charge in making genuine lasting change. I would love to see the stations themselves make a report like this every 6 months, and really celebrate the change they are going to make. Its a win-win situation: The stations lead the charge in correcting the scales, and we all get to hear loads of class tunes from brilliant under represented female artists from one of the most vibrant music scenes in the world. It’s time for the radio stations to turn this negative story into a positive one.” – DAITHI, Music Producer
“For too long we have accepted that radio-playlisted music runs in correlation to what’s popular. We now have proof that conscious & unconscious non-musical decisions are favouring the radio play of male musicians, to the detriment of our music scene. Despite what is said about streaming, radio still plays a huge role in our every-day soundtrack and there have never been more brilliant women making fantastic music across many genres.
It’s time for us men to consciously push their music and art because this is fundamentally a male problem, perpetuated by conservative choices and inherited biases”.- PAJ, Musician & Artist
“I would love to state that Linda’s recent report of the shocking under representation of female artists on Irish radio was eye opening, but unfortunately it wasn’t a surprise. The shameful shunning of the incredible female talent that Ireland has to offer, across the board, through every facet of the industry, is something that needs to change and change now. Women don’t deserve to be played on Irish radio because they are women, they deserve to be played because they are talented and horribly under represented” Dara Munnis, Music Photographer
“The report is shocking, and it is not. The only thing worse than the stats themselves are the badly theorised justifications I’ve seen from some men over the past week. It proves we have a long way to go. The best music in this country right now is being made by female artists and we’re not giving it a chance to blossom. The good thing is that it is easily fixed – Play more female artists on the radio. Today” Danny Groenland(Danny G & the Major 7ths) Musician & Artist
“Where to start with the results of this report? Unfortunately it’s no shock to me to read the findings, for far too long daytime commercial radio across this country has erred on the side of being ultra safe with a reluctance to promote Irish talent and when it does as the report cleary shows, that time and time again commercial radio plums for the same safe options which results in the sort of gender disparity we see in clear black and white in this report.
I’ve presented on commercial radio in the past so I know this to be the case all too well. The recent all-Irish trials by 2FM show that there is more than enough talent & high quality songs in this country (as I well know) without having to go to the same names everytime and certainly not as much as you see in the report – frankly the number of plays afforded to some acts is embarrassing, even if they were the most talented acts in music history – which allows no space for others and as the report shows especially if you happen to be female.
RTE Radio 1 have shown that there is a path that can be followed and I’d imagine that is down to their very knowledgeable producers and presenters that really care about promoting the wide and varied talent in this country, and of both genders !! I was very lucky to have a female radio mentor when I started off in radio and her guidance has stayed with me all these years later when looking at my own playlists for every show I do.
The likes of Ruthanne, ROE, Sodablonde, Orla Gartland, Ailbhe Reddy, Soulé, whenyoung, Emma Langford, Tolu Makay, Farah Elle, Ceev, Jess Young, Roisin Murphy, Zapho, Indian Queens (and many, many more besides) all deserve far more airtime than they currently get. It’s about time that commercial radio in this country began to wake up and reflect modern Ireland and all the wonderful variety of musical artists and flavours that are on offer in this country”. – John Loftus (presents Sounds from a Green World on 8radio.com and writes for goldenplec.com) was speaking in a personal capacity
“I had always been aware that there was a male bias in the music played on radio but – naively – had not realised it was as outrageously bad as this. I’m a pop act myself. Independent/unsigned. Male, Irish, white. I fully recognise my privilege. I can’t even begin to imagine how much bigger my obstacles would be if I were a woman.
First of all, where any broadcaster is in receipt of State funding – including by tax exemptions – applicants should be required to ‘equality proof’ their output. If France and Canada can successfully legislate for a 40% quota of nationally produced music on air, there’s no reason why Ireland can’t follow suit and – crucially – build a 50% gender balance into the requirements.
We have a brand-new government now and Ministers will shortly be appointed to oversee the arts, justice, equality, broadcasting. There may be overlap in some of those roles, depending on how Departments are divvied up. They can write and progress such a bill quickly. Yes, there will be pushback from luddite broadcasters but a cogent, transparent, unequivocal and public argument should be required if there’s some attempt to evade balance. Where these guys (and, let’s face it, they will be guys) expose their bias, they should be publicly challenged. They’ll blame the punter, of course. But they already tout themselves as taste-makers: so let them influence public taste so that an artist’s gender is never a barrier to a career. If RTÉ Radio 1 can do it, so can they.
Clearly, the gender imbalance on radio is replicated in festival line-ups and, to a large extent, in print media/blogs. I’m convinced that a greater gender balance on radio will help improve this organically. But it shouldn’t be left to chance. Again, the terms and conditions of State grants/supports need to be proactive. It would also help to create a climate that also improves the gender balance of our radio and TV presenters” – Tony Kavanagh- Musician & Artist
“In response to the recent light Linda Coogan Byrne has gave us all I feel the need to further that light as a male songwriter. The statistical percentage of radio play for the women in our industry is disgraceful but what was more heart breaking was seeing comments by these exact women saying “Disappointed but not surprised”.
We are absolutely blessed in this small country that the Irish music community is tight knitted and extremely supportive of the talent that goes beyond our individual counties so its baffling that these individuals don’t get the radio play and opportunity that is adequate to the time, effort, professionalism and money it takes to be a functioning artist in this modern age let alone thriving.
There IS room for us all in this industry, it’s not a competition for radio play, we are all carriers of unique stories and backgrounds and differences, but the stories and backgrounds and differences of our ladies are not getting the chance to be heard. We are a country of immense diversity, culture and acceptance so let us be that for the women that are setting unbelievable standards of talent and music. See the figures, then change them” -Conor Doyle, Musician & Artist
“For anybody who knows even one Irish female artist – even just one – it’s simply inconceivable to think for even a second that Irish male artists are as vastly superior in terms of quality as this report reveals Irish radio to believe. It’s impossible. It’s just not true.
The depth of creativity and expression of Irish female artists – as songwriters and performers – is on a par with female artists anywhere else in the world. That Irish radio is not recognising this, and therefore not even coming close to giving female artists the same support via airplay as their male counterparts, is a huge problem.
It may have been unproven up until now, but it’s not in the shadows anymore. Linda and Aìne’s report shines a light on what is as much an injustice as it is an imbalance.
The answer to the question of why this situation is, and has been, the reality for female artists is definitely one that needs to be found. But perhaps more importantly at this stage, and in this moment, is finding the answer to the question of how this situation can be addressed as soon as possible so that airplay on Irish radio more accurately reflects the brilliant music that so many Irish female artists are – and have always been – creating.” – Anthony Sullivan‘On The Right TRAX’ columnist, Tullamore Tribune/ Midland Tribune
“As the co-founder of Andrson, a company that fundamentally believes every voice deserves the chance to be heard, it’s disappointing to learn just how severe the gender disparity is in Irish radio. Music is the beating heart of Ireland, and we owe it to ourselves to make that heartbeat as strong as possible. That can only be done with fair representation and a far-better balanced gender distribution.
To my mind, that requires a rapid switch in mentality, from creating more intentional programming to pushing back on playlisters and media owners. And it means meaningful representation: putting deserving female artists and female-led bands in rotation, not just spot playing. “….For a female [or Black, or Asian, or LGBTQ] artist” is not a phrase that should ever act as a justification for quality or inclusion. Worthwhile music knows all genres, creeds, races, orientations, and certainly genders. It’s time Irish radio showed up for our female artists” – Zach Miller-Frankel, Andrson.
‘In many ways, this report is confirmation of the suspicions of many people: there’s been progress, but Irish music media still harbours problems with representation in many ways, and gender disparity is outlined in stark, uncompromising terms here.
‘As this conversation opens up further in the coming weeks and months, and so many of us would be well-advised to examine our attitudes in this respect, this report will hopefully be something of a turning point’ – Mike McGrath-Bryan, Music Journalist
“Recently, the world came together for equality. The whole music industry blacked out for a day, and we united to fight for human rights. We are making progress and have achieved so much as a human race since the death of George Floyd and the BLM movement is still a force to be reckoned with.
However, our own country still is not equal!
There are countless inequalities when it comes to gender in Ireland and if you think that statement is false, the recently released radio reports will change your mind quick enough! We are not here to spread hate, we are not here to be aggressive, we are simply making Irish radio aware of their massive blunder.
There are radio presenters and behind those radio presenters are programme directors and producers. These are the people who have the power to make Irish radio equal. RTÉ Radio One have set the example by having 50/50 gender split for Irish artists played on their station. The rest of the stations stats were absolutely mind-blowing and it needs to change.
There are countless incredible female Irish artists who deserve to have their art heard.
To all the radio stations in Ireland, this ends now. We are standing up once more to fight for gender equality in Ireland. Go raibh milé maith agat” – JaXson Musician, Co. Wexford.
Over the last few months I have been painting a collection of energy portrait pieces which delves in the energy force within a person and captures it onto the canvas.
One woman said that she felt they were metaphysical portraits and then another woman said the same thing to me when I was chatting to her last week. For me, it is my attempt to answer the essentially metaphysical question of the nature of the mind and the psyche of a person or subject matter and then display it on canvas. It then helps or assists the person in further understanding parts about themselves that may have lay hidden or unearthed. A visual representation and reflection of their inner selves on a canvas, if you will. Interpretive of course.
Nature and indeed human nature inspires me. How we are made up and what makes us who we are. Below is a recent Energy Portrait I completed for a rather impressive litigator in London who works for the UN. You will note the strong use of blue and how intense the strength of the tones throughout the painting depict the strength of the subjects energy. The rest of the story behind it will be maintained as private between the artist and the subject. As it is a very personal kind of portrait where the subject allows the artist enter into their energy space and draw from it. These particular pieces are such an honour to paint.
Below is another Energy Portrait, this time, it was as if the subject held together moments of her life in her energy field that made up a clear image like a landscape. The red across the bottom depicting a loss of love/life along the way and the calm matured tones and elements reconcile her balance in life.
The piece below is broken into two parts. It was a very beautiful and powerful lady who works a great deal with people as part of her day to day and the spiritual realm as a physic and life coach. When I met her the beautiful tones of maroon and rich auburn and yellow came to the forefront. A strong male energy came along with it and a shadowy memory of Londons docklands in the 1800 and 1900’s. so in essence it became about more than her own energy but those attached to her too.
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